The 49-key VL7 and half-rack VL70-m are monophonic, and the PLG150-VL soundcard ($199.95) provides monophonic VL synthesis for the Motif, S80, CS6X, MU100, and other Yamaha synths. Twelve control parameters per voice, including tonguing, embouchure, breath noise, throat formant, growl, and scream. The VL-1 is a duophonic synth with a 49-note velocity- and pressure-sensing keyboard, three wheels (pitchbend and two assignable mod), and inputs for breath controller, two footswitches, and two VC pedals. The rest of us can sit and bite our fingernails hoping that a more affordable version does not appear to tempt us (but it probably will, eventually)! I can see some session players earning lots of money from the VL1 - and that is probably where it sits in the market: for serious professionals only. This is one of the most desirable instruments I have ever heard. Sound On Sound’s review of the Yamaha VL-1 said: “We are currently recruiting experienced synthesizer engineers from all over the world to join us in our synthesizer mission.This is a demo of the biphonic vintage breath controlled physical-modeling synthesizer Yamaha VL-1. We at Behringer believe that everyone should have access to the amazing synthesizers and sounds of the 70’s and 80’s.” Ever since I designed my own synthesizer in 1977, I have always been obsessed with synthesizers and today, Behringer is on a mission to bring back classic synthesizers as well as design completely new instruments and make them available at prices everyone can afford. This man is a legendary synth icon with decades of experience. “I am extremely proud to have Nishijima San on our team. HARTMANN NEURON TOUCHOSC EDITOR SOFTWAREThis is why I joined Behringer because my ambition to create professional analog synthesizers coincides with Uli Behringer’s love of musical instruments and with that I’m very excited to see what we can dream up.I am currently looking for experienced embedded software leaders and engineers for our new Innovation center in Tokyo. Please can contact us at Behringer Statement The Wavestation incorporated the 2-dimensional vector joystick of the ProphetVS which allowed the user to alter and animate sounds. This led to the hugely successful Wavestation Synthesizer which was based on Sequentials ProphetVS. These days, it’s difficult for current Japanese companies to create the types of synths that I used to develop. When Sequential Circuits finally went belly-up, their research and development into vector synthesis was picked up at Korg. I reached out to Uli Behringer because I wanted to be part of his mission and help Behringer design world-class musical instruments. Over the past few years I have watched Behringer deliver high-quality synthesizers and pursue a very strong mission to deliver impressive instruments to musicians around the world. After graduation, I joined Korg to develop synthesizers like the MS-20 series, Sigma, KES and PME-40X series, Z3 and even Korg’s component modeling technology. While that was going on, I’d also repair my friends’ amps and would design effects on the side. When I entered university, I studied electronic engineering and played in a band. In this article and video for Production Expert, James Parades takes a look at Zynaptiq MORPH 2 - a real-time plug-in for structural audio morphing, that opens up a whole new world of sounds exploration possibilities. It was amazing and I wanted one for myself, but it was just too expensive for a student like me. That’s when I saw a synthesizer for the first time. In junior high school, I bought an electric guitar and formed a band. Pink Floyd, King Crimson, Genesis, ELP and I Pooh became my inspirations. I continued to play and improve until I noticed I was becoming better at it than my brother.Īs my skills grew more diverse, so did my taste in music. I started playing with my brother’s classical guitar and eventually got lessons from an actual classical guitar teacher. HARTMANN NEURON TOUCHOSC EDITOR HOW TOMy father and grandfather helped nurture that side of me by teaching me electronics and how to solder while attending third year of elementary school. “Ever since I was a child, I was always excited to disassemble toys and explore how they work. It certainly also interesting to hear what his old employer KORG says about this decision. Now all the more because Behringer has cloned the MS-20 with the K-2 Synthesizer. Surely interesting news, especially because it is a well-known developer with a history in the Synthesizer world. Which products he will work with, is not yet known. Behringer says in his press release that its vision is to build a large research and development center and hire Japanese engineers to focus on flagship synthesizers, samplers, and other products.
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